Death of a Ladies’ Man
Locked in a recording studio by a violent psychotic
Listening to your woman make love to another man in the next room
How Leonard Cohen’s Doo-Wop Nightmare was Born
I’m no Canada apologist. I once moved there for a spell, inspired by my latest crack-up — Vancouver, more exactly, where I lived with my toothless, jobless lover in the vacated studio apartment of a newly canceled member of the record industry. I made no friends, spent my days walking around. At one point, I attempted to sublet a different apartment from a woman whose only furniture was an exercise ball and who invited me to a “cuddle party,” which is exactly as it sounds. “It’s really all about consent,” she said in a baby voice. Oh, brother. When Leonard Cohen died, I was halfway through my sentence there. I liked his music well enough, but a self-styled Canadian poet was a hard pill for me to swallow. Get real: It’s a world of truck drivers. That’s Canada, only they’re too ashamed to admit it, much less embrace it. Know what I mean? A friend sent me a song from the album Death of a Ladies’ Man some years later, when I was back in America and living like a dog. I’d lost my …