Critic's Corner
Wilco, Cousin If you’d have asked me about Wilco a couple of months ago, I would have told you that I liked the band just fine. They even made it onto the “light” section of my curated playlist in County Highway’s Issue #2. After listening to the band’s new album, I would probably say the same thing: I like Wilco. The reason why I like them has changed, though. Cousin is probably the band’s most inspired work since 2016’s Shmilco and 2002’s Yankee Hotel Foxtrot. The albums in-between those two bookends have been largely unremarkable, mostly due to the repetitive song structure and lack of experimentation. The main reason that good-enough bands, like Wilco, get so popular is because they are seen as “good” and “acceptable” by the general listener. Then they stay popular by doing slightly different versions of the same thing over and over and over again. Wilco is a band for people who don't really know how to listen to music, or don’t have the time. Some of the songs are objectively …