Bill and Hillary and Frank’s Excellent Adventure
Poison Dwarf poses as benefactor of the Colombian poor
Behind every great philanthropy there is a crime.
The magic man of Pacific Rubiales joins with the Clinton Foundation to produce a mountain of nauseating grift
Last May, Special Counsel John Durham released a 306-page report on foreign interference in the 2016 presidential election, which included his findings about the Clinton Foundation’s controversial relationship with overseas donors. During that year’s campaign, journalists and researchers uncovered abundant evidence that suggested Democratic nominee Hillary Clinton and her husband Bill had helped promote the business interests of contributors as a quid pro quo for their cash. Donald Trump made the Foundation’s operations a centerpiece of his attacks on “Crooked Hillary” and after taking office, following his upset victory, his attorney general William Barr appointed Durham to look into the …
Abbie Hoffman is With Us
Coke-addled revolutionary freaks out in Vegas
Shot up with Thorazine
Nominates Iowa hog for Presidency
If you were alive and paying attention to the world in the late 1960s and early 1970s, as I was, you had to have loved Abbie Hoffman. Abbie was the true avatar of the American cultural revolution, the man who stole the spotlight from Jerry Rubin (who then quit the Yippies, became a Yuppie, and went to Wall Street). Abbie was also better known and more beloved than Tom Hayden, who is remembered today, if at all, as Jane Fonda’s husband. For years, fans have tried to mimic Abbie and have invariably failed. I have never known anyone who could match his genius for guerrilla theater, the “put on” and satire. Back in the day, I was an assistant professor of English at the State University of New York at Stony Brook and living a double life that I dug.
Now, more than three decades after he committed suicide in 1989 at the age of 52 — by drinking enough alcohol and swallowing enough pills to kill an elephant — …
Bonnie ‘Prince’ Billy Rides Again
Kentucky Genius-Freak’s Bummer-Folk Masterpieces
Leads Normies into Metaphysical Darkness
Unkempt philosopher-poet Will Oldham will never be at peace
We’ve lived with the Kentucky genius-freak Will Oldham long enough for us to take him for granted, and for his best work to disappear. Johnny Cash covered the title track from I See A Darkness, the bleakest of the American bummer-folk masterpieces that darkened the late 90s, an era when our country had become richer and more powerful than it had been or maybe ever would be again. Naturally, the album is no longer on Spotify. The Letting Go has been similarly let go of — you must turn to YouTube, or, God forbid, physical media to experience Oldham’s 2006 creative peak, a great poet’s cry across the outer and inner wilderness, powered through spare vocal harmonies and a restless churn of guitar.
Oldham, whose latest album was released under his Bonnie Prince Billy alias this past June, is now one of the last survivors of a golden age of existential dark Americana. David Berman, Elliott …